The Castle Spectre: A Drama. in Five Acts

The Castle Spectre A Drama in Five Acts The th century was a wealth of knowledge exploration and rapidly growing technology and expanding record keeping made possible by advances in the printing press In its determination to preserve the

  • Title: The Castle Spectre: A Drama. in Five Acts
  • Author: Matthew Lewis
  • ISBN: 9781140887768
  • Page: 417
  • Format: Paperback
  • The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record keeping made possible by advances in the printing press In its determination to preserve the century of revolution, Gale initiated a revolution of its own digitization of epic proportions to preserve these invaluable works in the largest archive of its kind Now foThe 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record keeping made possible by advances in the printing press In its determination to preserve the century of revolution, Gale initiated a revolution of its own digitization of epic proportions to preserve these invaluable works in the largest archive of its kind Now for the first time these high quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses The below data was compiled from various identification fields in the bibliographic record of this title This data is provided as an additional tool in helping to insure edition identification British LibraryT126752In this issue, there is one rule between the author s statement and the quotation a variant issue has 2 rules dividing the author s statement from the quotation.London printed for J Bell, 1798 vi, 2 ,103, 1 p 8

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    About “Matthew Lewis

    • Matthew Lewis

      Matthew Gregory Lewis was an English novelist and dramatist, often referred to as Monk Lewis, because of the success of his classic Gothic novel, The Monk.Matthew Gregory Lewis was the firstborn child of Matthew and Frances Maria Sewell Lewis His father, Matthew Lewis was the son of William Lewis and Jane Gregory He was born in Jamaica in 1750 He attended Westminster School before proceeding to Christ Church, Oxford where he received his bachelor s degree in 1769 and his master s in 1772 That same year, he was appointed as the Chief Clerk in the War Office The following year, Lewis married Frances Maria Sewell, a young woman who was very popular at court She was the third daughter born to Sir Thomas Sewell and was one of eight children born in his first marriage Her family, like Lewis , had connections with Jamaica As a child, she spent her time in Ottershaw In December 1775, in addition to his post as the Chief Clerk in the War Office, Lewis became the Deputy Secretary at War With one exception, he was the first to hold both positions at that same time and earning both incomes Lewis owned considerable property in Jamaica, within four miles of Savanna la Mer, or Savanna la Mar, which was hit by a devastating earthquake and hurricane in 1779 His son would later inherit this property.In addition to Matthew Gregory Lewis, Matthew and Frances had three other children Maria, Barrington, and Sophia Elizabeth On 23 July 1781, when Matthew was six and his youngest sister was one and a half years old, Frances left her husband, taking the music master, Samuel Harrison, as her lover During their estrangement, Frances lived under a different name, Langley, in order to hide her location from her husband He still, however, knew her whereabouts On 3 July 1782, Frances gave birth to a child That same day, hearing of the birth, her estranged husband returned Afterwards, he began to arrange a legal separation from his wife After formally accusing his wife of adultery through the Consistory Court of the Bishop of London on 27 February 1783, he petitioned the House of Lords for permission to bring about a bill of divorce However, as these bills were rarely granted, it was rejected when brought to voting Consequently, Matthew and Frances remained married until his death in 1812 Frances, though withdrawing from society and temporarily moving to France, was always supported financially by her husband and then later, her son She later returned to London and then finally finished her days at Leatherhead, rejoining society and even becoming a lady in waiting to the Princess of Wales Frances and her son remained quite close, with her taking on the responsibility of helping him with his literary career She even became a published author, much to her son s dislike.Matthew Gregory Lewis began his education at a preparatory school under Reverend Dr John Fountain, Dean of York at Maryleborne Seminary, a friend of both the Lewis and Sewell families Here, Lewis learned Latin, Greek, French, writing, arithmetic, drawing, dancing, and fencing Throughout the school day, he and his classmates were only permitted to converse in French Like many of his classmates, Lewis used the Maryleborne Seminary as a stepping stone, proceeding from there to the Westminster School, like his father, at age eight Here, he acted in the Town Boys Play as Falconbridge in King John and then My Lord Duke in High Life Below Stairs Later, again like his father, he began studying at Christ Church, Oxford on 27 April 1790 at the age of fifteen He graduated with a bachelor s degree in 1794 He later earned a master s degree from the same school in 1797.



    388 thoughts on “The Castle Spectre: A Drama. in Five Acts

    • Matthew Lewis may be a bit dramatic, but you can't help but be seduced by the intensity of his prose. Several of the characters (including the hero) are a little flat, and there are quite a few comedic and bumbling domestics, but the villain and the heroine are well-drawn and have powerful and striking lines of dialogue. Lewis's play shares the combination of conservative and radical impulses seen in most Gothic texts. This is nowhere more evident than in his inclusion of several African slaves [...]


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